05.27.07

Love After Love by Derek Walcott

Posted in Derek Walcott, loving oneself, photos, poetry at 9:14 pm by maryt

love-after-love.jpg

Love after Love

The time will come
when, with elation,
you will greet yourself arriving
at your own door, in your own mirror,
and each will smile at the other’s welcome,
and say, sit here. Eat.
You will love again the stranger who was your self.
Give wine. Give bread. Give back your heart
to itself, to the stranger who has loved you
all your life, whom you ignored
for another, who knows you by heart.
Take down the love letters from the bookshelf,
the photographs, the desperate notes,
peel your own image from the mirror.
Sit. Feast on your life.

~ Derek Walcott ~

(Sea Grapes)

from Panhala

 

05.23.07

Sabbaths 1999, VII by Wendell Berry

Posted in Wendell Berry, photos, poetry at 8:04 pm by maryt

 

 

Sabbaths 1999, VII

Again I resume the long
lesson: how small a thing
can be pleasing, how little
in this hard world it takes
to satisfy the mind
and bring it to its rest.

With the ongoing havoc
the woods this morning is
almost unnaturally still.
Through stalled air, unshadowed
light, a few leaves fall
of their own weight.

The sky
is gray. It begins in mist
almost at the ground
and rises forever. The trees
rise in silence almost
natural, but not quite,
almost eternal, but
not quite.

What more did I
think I wanted? Here is
what has always been.
Here is what will always
be. Even in me,
the Maker of all this
returns in rest, even
to the slightest of His works,
a yellow leaf slowly
falling, and is pleased.

~ Wendell Berry ~

 

(Given)

Web archive of Panhala postings: www.panhala.net/Archive/Index.html

05.22.07

Sweet Talk by Billy Collins

Posted in Billy Collins, poetry at 11:35 pm by maryt

I want to give you another Billy Collins’ poem:

You are not the Mona Lisa

 with that relentless look.

Or Venus borne over the froth

of waves on a pink half shell.

Or an odalisque by Delacroix,

veils lapping at your nakedness.

You are more like the sunlight

of Edward Hopper,

especially when it slants

against the eastern side

of a white clapboard house

in the early hours of the morning,

with no figure standing

at a window in a violet bathrobe,

just the sunlight,

the columns of the front porch,

and the long shadows

they throw down

upon the dark green lawn, baby.

Copyright World Poetry, Incorporated Sep 1995
Provided by ProQuest Information and Learning Company. All rights Reserved

American Poetry Review, The, Sep 1995

Hear the poem on YouTube

maryt

05.17.07

Foreign Children by Robert Louis Stevenson

Posted in children's literature, elitism, racism at 4:01 am by maryt

childsgarden.jpgA friend of mine who bought A Child’s Garden of Verses by Robert Louis Stevenson for her grandchild was shocked and surprised by one (#28) of the poems contained therein:

Foreign Children

Little Indian, Sioux, or Crow,
Little frosty Eskimo,
Little Turk or Japanee,
Oh! don’t you wish that you were me?

You have seen the scarlet trees
And the lions over seas;
You have eaten ostrich eggs,
And turned the turtle off their legs.

Such a life is very fine,
But it’s not so nice as mine:
You must often as you trod,
Have wearied NOT to be abroad.


You have curious things to eat,
I am fed on proper meat;
You must dwell upon the foam,
But I am safe and live at home.
Little Indian, Sioux or Crow,
Little frosty Eskimo,
Little Turk or Japanee,
Oh! don’t you wish that you were me?

 

maryt

05.12.07

Poetry of Phyllis Wheatley (1753-1784)

Posted in African American poetry, Phyllis Wheatley at 4:22 am by maryt

images1.jpg

To S.M. a Young African Painter

To show the lab’ring bosom’s deep intent,
And thought in living characters to paint,
When first thy pencil did those beauties give,
And breathing figures learnt from thee to live,
How did those prospects give my soul delight,
A new creation rushing on my sight?
Still, wond’rous youth! each noble path pursue,
On deathless glories fix thine ardent view:
Still may the painter’s and the poet’s fire
To aid thy pencil, and thy verse conspire!
And may the charms of each seraphic theme
Conduct thy footsteps to immortal fame!
High to the blissful wonders of the skies
Elate thy soul, and raise thy wishful eyes.
Thrice happy, when exalted to survey
That splendid city, crown’d with endless day,
Whose twice six gates on radiant hinges ring:
Celestial Salem blooms in endless spring.
Calm and serene thy moments glide along,
And may the muse inspire each future song!
Still, with the sweets of contemplation bless’d,
May peace with balmy wings your soul invest!
But when these shades of time are chas’d away,
And darkness ends in everlasting day,
On what seraphic pinions shall we move,
And view the landscapes in the realms above?
There shall thy tongue in heav’nly murmurs flow,
And there my muse with heav’nly transport glow:
No more to tell of Damon’s tender sighs,
Or rising radiance of Aurora’s eyes,
For nobler themes demand a nobler strain,
And purer language on th’ ethereal plain.
Cease, gentle muse! the solemn gloom of night
Now seals the fair creation from my sight.

maryt

05.05.07

Juana de Ibarbarou: The Hour (1918)

Posted in Juana de Ibarbarou, Uruguayan poetry, poetry at 3:00 am by maryt

dahlia.jpg

Take me now, while it is early
and I bear dahlia buds (1) in my hand

Take me now while still
my hair is dark.

Now, while I have fragrant flesh
and limpid eyes and rosy skin.

Now, while my nimble foot
wears the living sandal of spring.

Now, while on my lip is laughter
like a quickly shaken bell.

Afterwards…Oh! I know
that I will have none of these later.

And your desire then will be useless
like an offering placed on a tomb.

Take me now while it’s still early
and my hands full of tuberoses (2).

Today, no later. Before night falls
and the flower’s fresh center wilts.

Today, not tomorrow. Oh, beloved, can’t you see
that the vine will become a cypress tree? (3)
Translated by Mary Gallwey

(1) A symbol of youth.
(2) A lily-like flower of Mexico.
(3) A symbol of death.

Juana de Ibarbourou, a Uruguayan poet, celebrates human life as a manifestation of nature. Many of her poems express the idea that death, though inevitable, is not final, but that the individual will transmigrate into another form, often returning as some kind of luxuriant floral growth.
Paul Brians WSU

maryt

05.02.07

Poetry for Spring

Posted in Spring, poetry at 4:44 am by maryt

A little Madness in the Springflowers2.gif
Is wholesome even for the King.

Emily Dickinson (1830–1886)
No. 1333 (c.1875)

flowers1.gif
in Just— spring

when the world is mud— luscious

the little lame balloonman whistles far and wee

E. E. Cummings (1894–1962)
Chansons Innocentes (1923)

April is the cruelest month, breeding
Lilacs out of the dead land, mixing
Memory and desire, stirring
Dull roots with spring rain.

T.S. Eliot (1888–1965)
The Waste Land (1922)

maryt images.jpg

 

 


 

05.01.07

Walking Across the Atlantic by Billy Collins

Posted in Billy Collins, poetry at 3:09 am by maryt